Sunday, June 24, 2007

Crystalens For Cataracts

Pupkin Kabarett

Pupkin KABARETT comes from experience and a project of niche-off would be that once-grown at the Teatro Miela of Trieste. E 'in February 2001, in fact, at the idea of \u200b\u200bAlexander Mizzi and Stefano Dongetti, which kicks off the first season of Pupkin ROOM: an alternative space to the proposed theater town, midway between the laboratory stage, the little place for cabaret and more. The audience soon

incorporates new and unusual spirit of the proposal and begin to fill the room every Monday night. For nearly three years, every week, the Hall Pupkin is the only place in town where the same evening to attend concerts, readings, performances of actors or dancers, to late night. The particular environment of the theater honey, and even his bar, do the rest.

The "hosted" see happening on the small stage of the room George Ganz, Bebo Storti, Antonio Cornacchione and many others. Experience in the "reduced" form of honey gradually a stable group of actors and musicians. For A. Mizzi and S. Dongetti are flanked by Massimo Sangermano Bussi and Laura, the sax-piano duo of Richard and Piero Morpurgo Pure joins the battery of Colussi and Luca was born "No Band".

The multimedia nature of the evening is confirmed by the surreal video introductions in the "Trio Complaint." To the surprise of the organizers, the eighty seats in the room start to get tight, and for three seasons, the Hall Pupkin alternate in the same spirit of young newcomers and established performers, always in front of an audience alert, curious e “accalcato”. Ma è nell'ultime due stagioni che ha preso progressivamente forma il PUPKIN KABARETT, se così si può dire di uno spettacolo che non ha mai perso un mood scanzonato e informale. Alla Niente Band, spina dorsale musicale delle serate, si sono aggiunti il bassista Andrea Lombardini e il fisarmonicista Stefano Bembi (abbiamo ceduto a Paolo Rossi il cartellino del fisarmonicista per un suo spettacolo). Il Trio Lamentela continua ad aprire le serate con i suoi bislacchi commenti in video attendendo “dalla platea”. Laura Bussani passa via via dai panni della presentatrice polacca Agata a quelli della anziana disagiata Armida e di altri personaggi, disegnando una galleria di “tipi” femminili contemporanei. Janko Petrovec is the goggle-eyed and prickly professor of Slovenia, which insists on putting the audience wanting erudite nonsense after another. Alessandro Mizzi Stefano Dongetti and try to keep the ranks of our tingeltangel in absurd and bizarre monologues duets that range from political satire to the costume (the dialect poems of Mizzi are now cult). The lazy Dresser Nazarene Netherlands does sometimes his "sour" raids on the scene, including parodies turns into theater of the absurd, while Massimo Sangermano continues to unravel the demented side of the daily press reviews with unlikely and frenetic solos. Entertainment eternally in progress and at the limit, the cauldron Pupkin Kabarett exports from time to time some of his "portion" even outside the theater Honey Trieste. Here are our credentials: - we are proud to bring to the scene between thirty and forty different shows a year, a week - not gonna get us on television - guests at the event in honor of Paolo Rossi in Monfalcone, we were able to do so make us laugh and compliment without the use of force - in an evening we managed to get prenatal play Jingle Bells with Vinicio Capossela, on stage, the flares with us on - Stephen Dongetti was with his little show three or four times at the Theatre Cooperative Milan-Niguarda, without ever being admitted to a nearby hospital, - are among the few comedians today who do not laugh at their jokes before the public, no-spectator has mai sentito male durante un nostro spettacolo, ma una donna ha partorito subito dopo una serata e la colpa era di uno di noi (ma attribuibile a qualche mese prima) - ci conoscono anche alla Sagra delle Razze a Staranzano, andate a chiedere - siamo economici - Claudio Magris è da più di un anno che dice che viene a sentire le poesie di Mizzi e non è ancora mai venuto. Paolo Rossi è stato nostro ospite al Teatro Sloveno. Nel caso, preferiamo teatri col bar.


http://www.fluido.tv

Monday, June 11, 2007

Milena Velba Milk Streaming

Hideo Kanze, legendary Teatro NO

TEATRO: E' MORTO HIDEO KANZE, LEGGENDA DEL TEATRO NO

HA LAVORATO MOLTO IN EUROPA, AVEVA 79 ANNI

Tokyo, 11 giu. - (Adnkronos) - L'attore giapponese Hideo Kanze, leggenda del Teatro No (detto anche Nogaku), e' morto a Tokyo all'eta' di 79 anni in seguito ad un tumore. Figlio di Tetsunojo Kanze VII, uno dei piu' grandi maestri del No, apparteneva ad una famiglia d'arte che ha conservato e tramandato di generazione in generazione gli insegnamenti secolari di questa tradizione teatrale. Hideo Kanze ha cominciato a praticare il No all'eta' di 3 anni, con il padre e il nonno; a quattro era con loro in scena. Ha studiato all'universita' nazionale di Tokyo, poi Kita school, in 1959 and 'was asked to be part of the National Association of No.

http://www.adnkronos.com/IGN/Spettacolo/?id=1.0.1013719108



The Noh (能) is a form of theater in Japan in the fourteenth century sort that requires a high culture to be understood, in contrast to kabuki, which represents its popularization. The text of the no so constructed as to be freely interpreted by the viewer, this is partly due to the peculiarities of the language has many homophones. It is characterized by slow, spartan and the use of a grace di maschere caratteristiche.

Si evolse, insieme alla strettamente correlata farsa Kyōgen, da varie forme d'arte popolari ed aristocratiche, tra cui il Dengaku, il Shirabyoshi e il Gagaku. Kan'ami e suo figlio Zeami portarono il Nō alla sua forma presente durante il periodo Muromachi. A sua volta il Nō influenzò successivamente altre forme d'arte teatrali come il Kabuki e il Butoh. Durante la restaurazione Meiji il Nō ed il Kyōgen vennero riconosciuti ufficialmente come due delle tre forme teatrali tradizionali.

Inizialmente faceva parte, insieme al Kyōgen, di una forma drammatica nota come Sarugaku. Mentre il Nō era centrato sulla danza e sul canto il Kyōgen era soprattutto basato sui dialoghi and improvisation that followed predetermined towels.

From the sixteenth century the two genres diverged. This was recited by actors in Noh mask and was based on written texts. The earliest date from the fifteenth century, but the majority was composed in the sixteenth. The Kyogen instead continued to rely largely on improvisation. The main characters are a no supernatural beings (gods, spirits) or historical or legendary. Again, this differed from the Kyogen whose characters were ordinary people.

The first author of NO was Kan'ami Kiyotsugu (1334-1384). Together with his son Zeami Motokiyo (1363-1443) and his nephew Motomasa Juro (1394-1431) form the triad of the Kanze school. Zeami is perhaps the most important authors of all ages with assets over two hundred works, which are still being staged, and many writings on the theater and the implementation of the works. Noh Noh



should be recognized that the Noh theater is an ancient form is still alive, if somewhat rare, and that even in modern times there have been authors who have written for this genre. One of these Yukio Mishima (Kindai nogaku shu, Five Modern Noh, 1956). The

Okina / Kamiuta is a unique form of representation that combines dance with Shinto rituals. It is considered the oldest Noh performance. The

'Heike monogatari (The tale of Heike), a medieval tale of the rise and fall of the Taira clan, originally sung by blind monks that accompanied the biwa, is a major source of material for the No (and later theatrical forms), especially for representations of warriors. Another important source is the Genji Monogatari, a work of the eleventh century, sometimes called the first novel in the world. The authors also inspired by classics of the period of Nara and Heian period and Chinese sources.

Nowadays in Japan there are about 1500 professional actors of Noh and the art form continues to exist. The five existing schools are the Kanze Noh (観 世), the Hosho (宝 生), the Komparu (金 春), the Kita (喜 多) the Kongo (金刚). Each head has a family known as Soh-ke and only breadwinner of this has the right to create new representations or modify existing ones. The society of Noh actors is still quite feudal and strictly protects the traditions of their ancestors. According to Zeami

(actor and author of this art form in the fourteenth century) all representations Nō should create an aesthetic ideal called Yugen, which means a spirit of deep and subtle, and Hana, which means new. Nō truly is the Japanese culture to seek beauty in the subtlety and formality.

http://it.wikipedia.org/wiki/N% C5% 8D

Friday, June 8, 2007

Card Reader Illegal Uk

Richard Stallman and Bruce Perens, a keynote at the Sapienza University, while advancing Ubuntu Gutsy Gibbon

Stallman gives lessons of freedom. It meets Bertinotti

Raffaele Mastrolonardo
08/06/2007 - 08:02

The leader of the free software has been taken, along with Bruce Perens, a keynote at the Sapienza. The occasion is an Italian tour that led Stallman to meet with Speaker of the House and to be heard by the Cultural Commission of the Chamber. And on Saturday, perhaps, will march against Bush.

"I refuse to use software owner. My conscience will not let me. "He says it almost immediately, just because there are no misunderstandings about the nature of its inspiration and purpose of the free software movement. Richard Stallman, after all, it is. Direct in the arguments, persuasive in 'speech without compromising behaviors. intransigence and a penalty that has seduced the audience gathered Thursday, June 7 at La Sapienza University to listen to his lecture and that of Bruce Perens, co-founder of the Open Source initiative. And maybe they moved something even House Speaker Fausto Bertinotti , met soon after, on a tour of evangelization in the ground Italy, that was followed by a hearing in front of the Cultural Committee of the Chamber.

"It seemed to me wise even if not yet entirely convinced," said Perens Bertinotti at the end of the interview. "It 'was just the beginning of a long discussion. The problem is that we need to understand that you can believe in the individual as a source of innovation. The big software companies - said - have a total influence on the world, because they control software. We want to steal users from this control so that everyone can participate in its development. "

Earlier, the boys crammed in the main hall of the former barracks Sani, the standard bearers of free software had been offered in a lively duet, the foundations of this program of action. On the one hand, the ethical approach to Stallman, the other pragmatic Perens, who proposed a kind of translation of the political universe of the father of Free Software Foundation for use by business and governments, and revealed so much better bookish any distinction, the difference between philosophy and approach free open. But also, and above all, their complementarity .

While Stallman stressed the moral dimension of the issue ("proprietary software is a social problem that free software wants to resolve"), Perens has focused on the economic ("as the capitalization held distributes the costs and risks of an enterprise, open source development risks and costs divided among many programmers: we all bring something, no one too ").

Stallman thundered against the social dangers of proprietary software (" the collaborative spirit is what animates a society and makes it different from a jungle, where an institution prevents you from sharing anything that undermines the spirit "), and disperses Perens of revolutions market (" even the burgeoning industry storage and distribution of ice has been supplanted by the advent of refrigerators, "he said dismissing fears that the spread of free software to take away jobs companies that produce programs closed).

And if the differences, language and concepts have emerged clear (for open source advocates - said Stallman - the proprietary software is inefficient solution for the open source movement is the problem ") there was also room for agreement on the whole line. As opposition to DRM (Digital Restrictions Management, are features that allow a program does not work for you, "said Stallman) and software patents (" can kill open source, and for this it is important that Europe does not change the laws to that effect, "said Perens).

On current topics, such as the upcoming release of GPL v3 and Microsoft agreements with companies in the open source world (before Novell then Xandros), Stallman said that "the agreement with Novell is an attempt by Microsoft Novell circuit to find a way to charge people for permission to run GNU / Linux. But with the GPL v3 think we have found a way to turn this Agreement against Microsoft "). Position expressed recently in a comment latest draft of the license. The Roman

tour of the pioneers of free software and open source will continue today, Friday, June 8, with a debate Festival dell'innovazione che si svolge in questi giorni nella Capitale. Ma per Stallman il soggiorno potrebbe avere anche un finale in strada. Nel corso della lezione, il guru del free software ha infatti affermato che farà il possibile per essere presente alla manifestazione di Sabato contro George Bush , da lui definito come "il peggior nemico del mio Paese".

http://www.visionpost.it/index.asp?C=9&I=1814



ubuntu Martin Pitt has announced the first alpha release (also referred to as "Tribe 1") of Ubuntu 7.10 "Gutsy Gibbon": " Welcome to Gutsy Gibbon Tribe 1, which will in time become Ubuntu 7.10. Tribe 1 is the first in a series of milestone CD images that will be released throughout the Gutsy development cycle. The primary changes from Feisty have been the re-merging of changes from Debian. Common to all variants, we have upgraded the kernel to 2.6.22. " Read the release announcement and visit the distribution's testing page for a detailed list of changes updates. Download ( MD5 ): gutsy-desktop-i386.iso (695MB), gutsy-desktop-amd64.iso (699MB). Besides Ubuntu, the project has also released alpha 1 CD images for Kubuntu ( release notes ), Edubuntu and Xubuntu (see release notes ).

http://distrowatch.com/

Thursday, June 7, 2007

Best Blu Ray Player2009

Florence. Work on the New Uffizi, also on the Web


Since June 2006, work began on the construction of the Uffizi New .
An absolutely extraordinary event for the exceptional artistic and historical value of the complex, both for the amount of resources committed. This site aims to make visible the complex project activity and report regularly on the status of ongoing work.

http://www.nuoviuffizi.it/